Creatives
Scott Evan Davis
Music & Lyrics
Scott Evan Davis is a multi-award-winning composer and lyricist based in NYC (having won an ASCAP award, MAC award, Broadway World award and an MTI award), as well as vocal coach, musical director and social media personality. He has performed concerts of his music both nationally and internationally. His work has been sung by Broadway veterans such as Rebecca Luker, Liz Callaway, Karen Mason, Faith Prince, Kelli O'Hara and others. The Huffington Post listed Scott among five "must see and must know" emerging writers. Besides INDIGO, he has had two song cycles produced (Fragments, Picture Perfect), and a children’s musical called Queen Bea. He recently was named New Yorker of the week for his work within the autistic community as a musical director and coach with Epic Players, a neurodiverse theatre company, where he also sits on the advisory board. Scott's best known song, "If the World Only Knew,” has been performed all over the world as well as by such stars as Kelli O’Hara, Christopher Jackson, and more.
KAIT KERRIGAN
BOOK
Kait is an award-winning lyricist, bookwriter, and playwright. Broadway: The Great Gatsby (book). West End: The Great Gatsby, The Time Traveller’s Wife (add’l lyrics). Off-Broadway: The Mad Ones, Henry and Mudge (book and lyrics with composer Bree Lowdermilk). Upcoming: The Heart at La Jolla Playhouse in fall 2025 (book and add'l lyrics). Regional: Plays - Father / Daughter, Imaginary Love; Musicals - lyrics for Earthrise (The Kennedy Center), Rosie Revere, Engineer, & Friends (touring), both with Gunderson and Lowdermilk. Other: books and lyrics for The Bad Years, an immersive house party (pop-ups in Bushwick and Clinton Hill). Albums: The Mad Ones, Our First Mistake, Kerrigan-Lowdermilk Live. Digital: A Killer Party (screenplay with Rachel Axler, Nathan Tysen, and Jason Howland). Her plays and musicals have been developed by the Kennedy Center, Goodspeed, La Jolla, Aurora, Theatreworks/Silicon Valley, Chautauqua Theatre Company, Lark Play Development, Primary Stages, Weston Playhouse, and others. Awards: Kleban (libretto-writing), Larson (lyric-writing), Theatre Hall of Fame Most Promising Lyricist (nominated by Lynn Ahrens). Alumna of Dramatists Guild Fellow, Page 73's I-73 writer's group, Barnard College, BMI Musical Theatre Writing Workshop.
CATIE DAVIS
DIRECTOR
Catie Davis (Director) is a NYC-based director and was the associate director of Beetlejuice (Broadway, Australia & US National Tour), Moulin Rouge (Broadway), Company (Broadway), Baby J (Netflix), Ben Platt Live from Radio City Music Hall (Netflix), and has worked at The Public Theater, Roundabout Theatre Company, and Hudson Valley Shakespeare Festival. Recent directing includes The Ghost of John McCain (Off-Broadway, world premier), Forget Me Not (Riverside Theatre), Beetlejuice (Norwegian Cruise Lines), Indigo (Human Race Theatre Company), and The Magnificent Seven (Flint Rep, world premiere). She is also frequently a guest director at NYU Tisch School of the Arts (her alma mater) as well as Manhattan School of Music. Catie is a 2018 MTC Directing Fellow, a Lincoln Center Directors Lab alum, and a proud member of SDC. She has an array of original musicals in development and eagerly seeks out opportunities to create highly theatrical, deeply empathetic, and surprisingly human musical theater. catie-davis.com / @catie-davis
BRAD HAAK
MUSIC SUPERVISOR & ORCHESTRATIONS
In his 20+ years living in New York City, Brad’s career has spanned the theatrical, concert, and recording worlds; and he has contributed to the creation of over 50 new musicals in New York City, at regional theatres across the U.S., and in London, Toronto and Tokyo. He music directed and conducted four Broadway productions (including Disney’s Mary Poppins and An American in Paris) and played piano for The Phantom of the Opera, The Full Monty and Dirty Rotten Scoundrels. Brad has been a conductor on national tours of Miss Saigon and Disney’s The Lion King and has numerous music direction and orchestration credits at regional theatres including Chicago Shakespeare Theatre (Jeff Award for Music Direction), The MUNY in St. Louis and the Kennedy Center for the Performing Arts. He has orchestrated for numerous U.S. symphony orchestras and shared the concert stage with such stars as Audra McDonald and Paul McCartney. His international credits include numerous collaborations with director John Caird (Les Miserables) on Japanese productions (most recently the acclaimed stage adaptation of Hayao Miyazaki’s beloved Spirited Away as well as Caird’s and composer Paul Gordon’s Broadway adaptation of Jane Eyre.) Brad is a graduate of Northwestern University and calls Chicago home.